Despite the beating the genre took from the ensuing Comics Code Authority, horror has spent the following decades creeping out of the recesses around mainstream publishing, with Dark Horse, Vertigo, Image, Humanoids and various manga lines filling our nightmares with harrowing new atrocities. —Steve Foxe, Writer/Artist: Kazuo Umezu Publisher: VIZ Media The Drifting Classroom creator Kazuo Umezu is widely considered to be a godfather of horror manga in his native Japan, and his wide range of appalling talents are on full display in Cat Eyed Boy, an anthology series loosely connected by the presence of the titular half-demon child with piercing feline eyes. If not for a mention in Warren Ellis’ excellent newsletter, we might not have ever learned of its existence. Writer Peter Tomasi writes in the constrained, eloquent dialogue of past-century spook slingers M.R. The Beauty’s storylines, which feature a more diverse and inclusive cast than average horror fare, have so far been relatively self-contained, working as “seasons” tailor-made for fans of Hannibal ready to take the comic plunge. James or Bram Stoker, but artist Ian Bertram wraps the plot in winding, grid-bound tendrils of blood and architecture, conjuring a dwarfing sense of doom that no character escapes. The 42 best Donald Trump cartoons of all time Jun 2, 2017 Jun 2, 2017; 0; For editorial cartoonists, the 45th president of the United States, Donald Trump, has been the gift that won't stop giving. Like fellow precision artists Geof Darrow and the late, great Bernie Wrightson, James Stokoe doesn’t stop drawing until nearly every millimeter of canvas is shaded, hatched and stylized. Picture old-school publisher EC’s horror titles without the narrative neatness or the veneer of humor. ... Worth investing time in - view thousands of WSJ cartoons focused on the funny side of business. A new collection of the wit and wisdom of Bruce MacKinnon taken from recent pages of the Chronicle Herald. All the topics that currently interest us, and that MacKinnon draws so cleverly. Brereton’s singular style renders the spooky with catwalk finesse, fully painted characters defined by sunken cheeks and nuclear gazes like some unholy hybrid of Tim Burton and Andy Warhol. Morrow and his crew, including the creepy Penny Dreadful and straight man Eric Gast, fight the powers of darkness through modern science. The world of The Black Monday Murders is unfolding to show different “schools” of warring investment groups and freaky familiars who only speak in symbols, arcanely designed by Hickman. Whether it’s a “reformed” killer butchering a cow or a mutilated-corpse crucifixion, writer Joshua Williamson offers up gory scenarios worthy of Herschell Gordon Lewis and artist Mike Henderson splatters down the blood and guts. While not full-blown horror, Face is certainly horrific, combining and almost Poe-like sense of doom with elements of bodily revulsion and a final act that goes full Grand Guignol. The most inspired twist may be a baddie influenced by a sea louse that replaces fishes’ tongues. Too-pretty protagonists aside, Tanabe renders densely detailed scenes full of uneasy shadows, punctuated by moments of abject monstrousness. Entry “The Secluded House” features a rectangular farmhouse rooted in an endless meadow, roiling clouds pregnant with rain high above. —Steve Foxe, Writers: Jamie Delano, Garth Ennis, Brian Azzarello, Others Artists: Various Publisher: Vertigo/ DC Comics In 1987, a wave of children encountered supernatural threats that ring familiar to any horror nut: vengeful Japanese ghosts, vampires next door, dolls with wills of their own. Moore also brought a great deal of humanity to the Swamp Thing, and injected environmentalist issues into the monster series. All Rights Reserved, Steve Fox, Sean Edgar & the Paste Comics Crew. These gasbags are trapped in mechanical carapaces drudged up from the ocean floor, remnants of some long-ago war effort returned to haunt the living. —Steve Foxe, Writer: Donny Cates Artist: Lisandro Estherren Publisher: Skybound/ Image Comics Found inside – Page xva consensus of opinion as to which cartoons were the most satisfying, the most significant, ... But the Warner Bros. cartoons created—as do all great films—original characters with believable personalities and motivations. —Steve Foxe, Writer/Artist: Hans Rickheit Publisher: Fantagraphics For instance, you can have cheese (and it will be glorious) and you can separately have ham (and it will be succulent), but put them together and boom: ham and cheese and delicious. The Swamp Thing spends a large portion of the run struggling with his identity, trying to understand how much of the former humanity of Alec Holland still survives underneath his flora. Unlike other supernatural anti-heroes John Constantine or Doctor Strange, titular witch doctor Vincent Morrow lives up to his namesake, taking full advantage of the MD on his signature. In the midst of a vicious winter storm, a squadron of United States soldiers stumble on an abandoned mansion in the middle of the woods. Meet horror. The impactful imagery—rendered in an aesthetic that is so otherworldly that it appears hyper-real—is mystifying and unforgettable. —Sean Edgar, Writers/Artists: Various Publisher: Vertigo/ DC Comics While publisher First Second has a reputation for all-ages comics, their publishing slate is one of the most varied in the industry, with books like Idle Days existing several steps removed from bright-and-bubbly middle-grade fare. The Comics Code Authority may have sent EC and its striking vintage horror to an early grave, but James Warren and a small army of editors, writers and illustrators picked up the slack through legal loopholes. When psychiatrist Frederic Wertham published the misguided comics-skewering Seduction of the Innocent in 1954, the moral crusade was in response to the glorious groundswell of murder, corpses and grotesquery on the comics rack. Covers basic cartooning techniques as well as character design, costumes and props, layouts, and special effects Rarely have I stopped reading a book, not because it wasn’t good, but because I was actually too scared to finish it, too frightened to turn the page and see what images would assault my retinas. Mignola takes a slightly lighter tone with moments of abrupt humor, including a community-theater-grade devil summoning. Scare the shit out of every guy who’s attempted to assuage a damsel in distress. —Shea Hennum, Writers: Michael Dougherty, Todd Casey, Zach Shields, Marc Andreyko Artists: Fiona Staples, Stephen Byrne, Stuart Sayger, Zid Publisher: Legendary Like Clive Barker, David Cronenberg and John Milton melted into an unholy story missive, Nameless is designed to give nightmares a shocking new canvas. —Steve Foxe, Writer: Marguerite Bennett Artist: Ariela Kristantina Publisher: AfterShock Comics —Steve Foxe, Writer/Artist: Brecht Evens Publisher: Drawn & Quarterly —Steve Foxe, Writer/Artist: Nagabe Publisher: Seven Seas Kill the Minotaur is a rare project that blends the high adventure of Ray Harryhausen with the striking imagination of ‘90s fantasy horror, disorienting the reader in a maze of twists and gore. Found inside – Page 13were wrenched free to make way for the great experiment of “ government by the people . ” We find that even these early cartoonists often wrote words within their art to show who the cartoon was about , and even used speech balloons to ... Patreon backers at that level will get exclusive access to livestream recording sessions — as well as an archive of previous livestreams! They struggle to survive the monsters that have taken over the place, the result of a mad scientist’s experiments and corporate shenanigans. Standout stories include a claustrophobic diving trip and a hiking excursion plagued by doppelgangers. Sarah Winchester—the widow of the man who founded the Winchester Repeating Arms Company—built a sprawling San Jose mansion to house the souls of the Native Americans and soldiers who fell victim to the weaponry her husband forged. Ice Cream Man is one of the few titles to buck that trend, as the trio of W. Maxwell Prince, Martin Morazzo and Chris O’Halloran deliver unexpected and compelling stories in each issue with only minimal connection between unsettling installments. Zucker’s art delivers subtle and over-the-top scares in equal measure, with Jen Hickman’s colors creating an eerie ambience that lends a spooky timelessness to the titular house. —Sean Edgar, Writer/Artist: James Stokoe Publisher: Dark Horse Comics Southern horror has seen a revival in comics in recent years, including the similarly titled Redneck nearby on this list. “All that is known is that any person who ventures closer than this does not come back.” Unfortunately, we can’t help ourselves from venturing into each and every hellish residence in this book. Don’t judge Inio Asano’s graphic novel, Nijigahara Holograph, by its glowing butterfly cover, assuming that what lies within is sweet or sentimental. It’s a shame we’ve only seen two miniseries and a one-shot from writer Brandon Seifert and artist Lukas Ketner; hopefully the good doctor will make a house call in the near future. —Sean Edgar, Writer: Garth Ennis Artist: Goran Sudžuka Publisher: AfterShock The book portrays 13 (ha) gorgeously textured, shaded portraits of domiciles where something very, very wrong happened long ago. All seven issues of The House are available on ComiXology now, making this a perfectly sized binge read to get you in the mood for All Hallow’s Eve. At the center, one very conflicted, heroic demon battles his destiny as the biggest antagonist of all: the biblical Beast of Revelations. The lore grew with each issue, as blind protagonist Rondel and his bear companion, Lucille, lead the reader further into a mythos that asks, What if Conan the Barbarian had been born in 1910s West Virginia? 2/13/2009 - Asking for a Raise - … By this time, Art Babbitt, one of Disney’s top animators, was playing a leading role in the union drive. Watching lovable goofball Jughead transform from a burger-devouring lunkhead to a people-devouring lunkhead may be hard to stomach for longtime readers, but it does make for a delicious horror comic. Neonomicon is relentless, unforgiving, and scary as hell. Among some of the best sports duos, the top TV couples, video game pairs, cartoon duos, and the greatest food pairings are the top duos of all time, and they've been compiled here in this list of the great duos for you to vote on. As scribe Donny Cates clarified in his interview with Paste, he doesn’t “find the Antichrist compelling whatsoever,” but is completely devoted to exploring “the girl who gives birth to it, and the impact it has on her life.” True to his word, Babyteeth took a progressive twist on the template laid by Rosemary’s Baby, The Omen and House of the Devil. —Caitlin Rosberg, Writer: Thomas Desaulniers-Brousseau Artist: Simon Leclerc Publisher: First Second Always implied and never stated, the book’s horrors dance around pedophilia and exploitation as Panther and his awful entourage of plush demons feign innocence before wreaking havoc on the purity around them. Torres and Walta similarly dealt with the barrier between life and afterlife in The Veil, but their respectful handling of an often-exploited source inspiration gives The Suicide Forest a slight edge over that volume, and Walta’s watercolor-esque style lends itself perfectly to the oppressive gloom of Aokigahara. —Steve Foxe, Writer: Mike Mignola Artist: Warwick Johnson-Cadwell Publisher: Dark Horse —Tobias Carroll, Writer: Neil Gaiman Artists: Sam Kieth, Mike Dringenberg, Others Publisher: Vertigo/ DC Comics Corben’s anguished figures and oftentimes-restricted color palette perfectly channel Poe’s tortured protagonists as they tumble down the road to madness. Every time I read Steve Niles and Ben Templesmith’s grisly vampire yarn, 30 Days of Night, I say the same thing over and over: “How did no one ever think of this genius story before?” The setting? By Steve Fox, ... Every time I read Steve Niles and Ben Templesmith’s grisly vampire yarn, ... Gou Tanabe is one of a handful of cartoonists… Political Cartoons. She recently worked on a documentary about the history of queer comics and the groundbreaking cartoonists who first depicted LGBTQA lifestyles. A renowned cartoonist with the "New Yorker" for more than 20 years delivers a wonderful, in-depth celebration of the women cartoonists who have graced the pages of the famous magazine from the Roaring Twenties to the present day. Her stark compositions, her elaborate layouts, the color palette influenced by bloated, festering corpses—Emily Carroll makes old-fashioned storybooks that are, most assuredly, not for kids. Latest collection View all. Compiled and edited by writer, letterer and horror aficionado Rachel Deering, In The Dark, like any anthology, is inconsistent, but its claws are sharp and deadly more often than not. Drawn in the style of vintage satanic-panic paperback thrillers by artist Robert Hack, Sabrina melds witchcraft-as-female-sexuality-metaphor with honest-to-Lucifer witchy terror, much like horror breakout film The Witch. —Sean Edgar, Writer: Dave Gibbons Artist: Mike Mignola Publisher: Dark Horse The Aliens franchise has seen a host of worthy comic installments under the purview of longtime license holder Dark Horse, but few have tapped into the oppressive terror of Ridley Scott’s original vision rather than the guns-blazing sci-fi action of the sequels. Is she evil? —Hillary Brown & Sean Edgar, Writer/Artist: Ben Catmull Publisher: Fantagraphics Ghosts and Ruins doesn’t strictly work in panels and word balloons — writer/artist Ben Catmull opts for full-page illustration accompanied by prose — but its content is far and away some of the most creeping, haunting, regal spook strata released by a comics publisher. In this Southern-fried bloodsucker saga, a family of reformed, rural nosferatu drink cattle blood before sending the bovine corpses off to their BBQ joint in town. It won the Grand Prix at the Annecy International Festival in Annecy, France. Our democracy might be in danger of collapse but at least cartoonists … It’s Metamorphosis with a decidedly aggressive, feminist bent, and all for the better. The title features a pandemic that forces the infected to carry out their most-awful urges—rape, cannibalism, murder. In its first year, the comic proved just as immersive as the noir underworld of Powell’s previous opus, The Goon, albeit with a heavier fantasy bent. See more. But could some be considered iconic duos? They appeal to both the horror fans who enjoy the build of tension and those who enjoy its cathartic release. —Darren Orf, Writer/Artist: Inio Asano Publisher: Fantagraphics Co-writers Lonnie Nadler and Zac Thompson and artist Eric Zawadzki operate at the intersection of David Cronenberg and Cannibal Holocaust, never skimping on the entrails or the implications of dining on society’s most overlooked members. Written by Watchmen’s Dave Gibbons and drawn by Hellboy creator Mike Mignola (with Kevin Nowlan’s unmistakable inks), Aliens: Salvation pits a pious space traveler against the unrelenting threat of the Xenomorphs. Junji Ito is far and away the undisputed king of horror manga, both in his native Japan and abroad. Romance and horror don’t often go hand in hand, but trust innovative comic scribe Marguerite Bennett to find a way to make it work. List RulesVote up those pairs who make a whole that is greater than the sum of its parts. (Then go vote for the best trios!). That said, he kills many, many innocent-ish people in unspeakably gruesome, though inspired, ways before experiencing anything resembling an epiphany. 1,977 talking about this. It’s an intriguing look at just how willfully ignorant people can decide to be, and what they chose to do once the scales have fallen from their eyes. The constant feeling of dread keeps the pages turning; just like in any classic zombie movie, we have a glimmer of hope that salvation can be found, even as we see the overwhelming evidence of reality arguing the opposite. The sixth issue in particular marked a new kind of experiment: a single narrative with three different concurrent perspectives and the appropriate title of “Strange Neapolitan.” Diving in for this single issue as a sampler should be easy, but readers who do will likely want to go back to read each off-kilter tale. While the caricature may not always be taken seriously as a medium, the political cartoons featured here have had the power to inspire, outrage or amuse. Comparisons to The Twilight Zone are entirely earned: each issue offers up a new horror, linked by a single man who weaves himself into the story while offering up only hints at his real role in the proceedings. Hanazawa paces the story more like a classic American horror film than a frantic manga tale, relishing each gory encounter and frequently employing a fisheye effect to his hyper-detailed style to make his violent cannibals that much more unsettling. Black Mask has a habit of combining genre concepts with social awareness, and The Dregs rises to that challenge by flipping the slogan “Eat the Rich” on its decapitated head. The terror that the main characters face is just as much internal as it is external, buried in secrets and monstrousness that’s only glimpsed at. Subtitled The Death-Stench Creeps, Gyo commits dozens of pages to bloated, infected humans essentially farting themselves to death, but any hint of a laugh is dashed when the full scope of Gyo sets in. The series climaxed with the Once Upon a Hard Time miniseries, bringing the dusty, gothic saga to a bittersweet, emotional end filled with body horror and redemption. Found inside – Page 43“If you ever followed his cartoons, you'd see that they had a marvelous continuity from day to day. ... the German humorist and illustrator best known for his Max und Moritz stories and cartoons, which were the inspiration for Rudolph ... Any Richard Corben horror joint could make this list, including his excellent Poe and Lovecraft adaptations and Hellboy: The Crooked Man, quite possibly the scariest Hellboy story to date, but Rat God gets a slight edge for being an original tale of terror. Sardonic mage John Constantine has summoned gods, battled demons and conquered cancer. Carl Sandburg was born in Galesburg, Illinois, on January 6, 1878. —Steve Foxe, Writer: Pornshak Pichetshote Artist: Aaron Campbell Publisher: Image Comics Escher, House of Penance is horror that could only be accomplished in comics, and its morbid majesty has to be seen to be understood. InSEXts revolves around two women, lovers creating a family of choice in Victorian London, struggling against oppressive social expectations and controlling men. —Mark Rozeman, Writers: Shirley Jackson, Miles Hyman Artist: Miles Hyman Publisher: Hill and Wang The premise sounds just absurd enough to elicit an uncomfortable laugh: the inhabitants of a small town find themselves obsessed with spirals. Get up-to-the-minute news sent straight to your device. It’s cliché to compare a scary story to Stephen King’s body of work, but Outcast by Kirkman & Azaceta’s cast of complicated, deeply flawed characters brings to mind ’Salem’s Lot’s tableau of small-town unease, with the same looming sense of doom gathering overhead like a dark cloud. Guess what? Publisher Dark Horse has served as the artist’s modern home, releasing original tales (Rat God) and adaptations (The Conqueror Worm) throughout the past decade. Found inside – Page 1017From that time on , his immediate supervisors reBuckeye has been a good citizen of Taylor Cartoons and comic strips both have ... Its huge mill put the city of Perry portant effect upon public thinking , which ported great improvement . At a terse four issues, Winnebago Graveyard marries the vulnerability of being desperately lost with ruralphobia, and it is absolutely horrifying. The titular Dregs refers to the increasingly boxed-in homeless community in a gentrified Vancouver neighborhood. Cartoon definition, a sketch or drawing, usually humorous, as in a newspaper or periodical, symbolizing, satirizing, or caricaturing some action, subject, or person of popular interest. Richard Corben has lent his iconic art to everything from Lovecraft to Luke Cage, but the living legend’s take on the work of ill-fated horror maestro Edgar Allan Poe stands out as a match made in Hell (in a good way). In this comic, line artist Alison Sampson and colorist Stephane Patreau take that legacy of twisting darkness and fear on a psychedelic road trip into small-town hell. Found inside – Page 477In Your Spare Time Guaranteed to please you or your money back . Price of bracket alone . ... I must confess it is the best one I have ever read . The devil has traditionally been the lord of the deal, trading in souls, but this series embraces the larger framework of stocks, recessions and finances alongside its grim goat-skulled demon lord. —Steve Foxe, Writer: Fabien Vehlmann Artists Kerascoët Publisher: Drawn & Quarterly The pitch for Smut Peddler creator C. Spike Trotman’s horror anthology is that its 26 black-and-white short stories contain no familiar terrors: no vampires, no werewolves, no easy solutions. The 50 greatest antiheroes of all time, ranked. Found inside$50 US $62.50 CAN his enormous selection, whic h must JL rank as one of the best cartoon compilations of all time, has been specially selected by Helen ...

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